The Little Daisy Girl and Other Poems — Background and Themes
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Before opening The Little Daisy Girl and Other Poems — Background and Themes, the edition data offers a quick orientation: 6,763 words, 30 min estimated reading time, and 1 detected text section.
The text analysis averages about 18.5 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Poetry,” connecting these edition facts with the source record’s subject description.
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Read the Text
There was a little girl, Who longed to be a flower, So she teased her golden curl, As she wished it by the hour.
One day her limbs began to shrivel, And her clothes to all unravel, Hair transformed to golden petals, As her roots dug in the gravel.
"This is simply quite amazing, Here I stand within the sod, As a waving yellow daisy, Who no more shall ever plod.
"Of fate or God am I the seed, So bright and pretty and gay? Or of Satan, such a weed? I pray not!" she had to say.
Soon a bee began to hover, As it kissed her pretty face. What a happy little lover, On its singing wings of lace.
Then came a caterpillar, Chewing all her leaves to shreds, Leaving her to wilter, Down among the flowerbeds.
So the sun began to burn, Upon her golden yellow spray, But she found she could not turn, Instead to face the other way.
In one day did she grow old, Whisper dry and all alone, Bowed in age, frail and cold, Like a poor, tired, nodding crone.
Happy was she as a child, Gayer still a simple flower, Now she's buried in the wild, With pretty daisies for her bower.
Sing to me the Song of Carol, Brightest ribbons in a breeze, Dancing bannerettes. A fair! All Snapping colors midst the trees.
Such wonder that the day denies, In tinted white with blue between. Reflected spell, bound in the eyes, No summer, scudded cloudy scene.
Oh land of crook and silver brook, Of shadow dank and mossy bank, Restore what she before forsook, Where plundered stones asunder sank.
From the mire will come no spire, Long forgotten this old castle. Fawn and fish, and swan's desire, Wistful leap from thistled tassel.
So may in dreams come what seems neigh, The plunder of your wonder years, And to the sky your prayers fly, To banish all your early fears.
Now with your friends the fair begins, The lost, the lonely, silent few, To heal hearts and help amends, And help their lives to start anew.
I'M STUCK ON YOU LIKE GLUE.
Sometimes it hurts so much that I know it could never come true, I wish you would notice me some day, Then I know it will soon pay, I'm stuck on you like glue and no one can pull me apart from you, Your personality makes me want to hold on... maybe like...super glue, I'm stuck on you like glue and no one can pull me apart from you, Ya...I'll still be stuck on you till you notice me some day...
August had three sisterns, Name of April, May, and June. When he came to slake his thirst, One would ladel him a spoon,
Of water. His three sisters, Knew the coming of the moon, But August in his whispers, Knew a joyful little tune,
The daughter, of his neighbor, Sang when she was all alone, And heard her at her labor, As he passed her way to home,
At dusk, the streaming vapors, In keening, Godly litany, Curling, cut their capers, In the forest by the sea,
Of which she sang, don't ask, shy Little August, knows the rune, For he will only sigh, and say, "Go ask April, May, or June."
THE KING JAMES RED LETTER EDITION HOLY BIBLE
For proof I fell 'neath my own spell, And feigned design of blinkered mind, The truth to tell I knew quite well, Though in deigned ink red purblind.
THE BOY WITH SAD EYES
The boy with sad eyes, Did not realize, That every kid in town, Could see his little frown.
The boy with no smile, Seemed to take awhile, To answer to his name, But answered just the same.
Deepset little smudges, Held no inner grudges, Just an emptiness, Nothing more, nothing less.
The boy with three diseases, Found a friend in Jesus, Before he died his eyes, Seemed so very wise.
THE ONE WHO KNOWS ME SO WELL
Some people think they know me so well, you see, They see me on the outside, but never on the inside. But I know Someone who knows me inside who doesn't care what I look like outside, That's the Lord for you...He's so complete. Sometimes I try to be perfect...HA HA. But I know it will never be till I reach that beautiful place in the sky someday...You'll see...
THE GIRL IN LONG STOCKINGS
The girl in long stockings, Had thick ones, with flockings, In patterns of diamonds, Ivy, and garlands,
Ivory, or claret, Like her favorite beret, Or aquamarene, Since she liked to be seen, In long stockings.
The opening poem, 'The Poem,' personifies a piece of writing that calls out from the grass, asking to be picked up and carried to the sea or forest. The speaker eventually collapses, and the poem resigns itself to waiting for others. This self-reflexive beginning sets a tone of playful frustration with the act of creation.
Despite being cataloged under 'Science Fiction & Utopias,' the excerpts show no speculative elements. Instead, the collection is rooted in Christian devotion, personal loss, and domestic life, as seen in dedications to family members and a cat named Sweets.
Riddles and Allegories
The authors provide direct commentary on several poems. 'Satan's Taunt' is described as both a riddle and an allegory about deceptive surface values. The text invites readers to guess the riddle's answer and to examine an illustration with a weed and numbers. This editorial intrusion suggests that the poems are meant to be puzzles as much as lyrical expressions.
Similarly, 'The Boy with Sad Eyes' has an illustration combining a smiley face and a bio-hazard symbol, which the authors call 'BIO-LOVE.' The juxtaposition of a cheerful icon with a danger sign implies a thematic interest in hidden pain or contamination beneath a pleasant exterior.
Repetition and Participation
'The Demons Burning Hiking Chant' is a rhythmic, repetitive poem meant to be recited while walking. The text includes alternate lines and encourages substitutions for the last word, such as 'die' or 'flee.' The authors describe it as a 'spiritual morale-builder' and note that younger participants may outlast older ones.
This piece contrasts with the more introspective poems in the collection. Its structure—a series of verses each ending with a repeated verb (burn, weep, stink, smoke, gnash, scream, wail)—emphasizes communal chanting over individual reflection. The final line, 'And Christ will prevail!,' ties the chant to Christian eschatology.
Personal Dedications and Missing Content
The table of contents lists 28 poems, but the etext notes that 'The Psalm of Jacquelyn' is missing. The dedications reveal personal losses: 'A Special Man' is for Harvey Hedge, Jacquelyn's father, who drowned saving his children. 'My Man, My Kitty, and Me' is dedicated to Roland, and the authors affirm their belief that the cat Sweets is in heaven.
These details ground the collection in specific biographical events, though the excerpts do not reveal how the poems themselves address these subjects. The missing poem and the authors' explanatory notes suggest that the printed edition may have included more extensive framing than the digital version preserves.
Readers approaching this collection should be aware that the authors' commentary is as much a part of the work as the poems themselves. The riddles, illustrations, and performance instructions indicate that the book was designed for interactive engagement. The catalog subject 'Science Fiction & Utopias' appears to be a misclassification; the actual content is devotional and personal, with no evidence of futuristic or utopian themes in the provided excerpts.
There is a tenderness in the little daisy girl’s quiet faith, a softness I find echoed in another old friend, Noon-Day Fancies for Our Little Pets Fully Illustrated — A Reader’s Guide. Both speak of simple wonders—a petal, a paw—and I have often felt they share the same gentle breath, whispering to the same sleepy child.
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