Lays of the Scottish Cavaliers and Other Poems — Reading Notes
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Angus was elected to supply the place of Lauder. But although the actual magistrates were absent, they had formally nominated deputies in their stead. I find, on referring to the city records, that "George of Tours" had been appointed to officiate in the absence of the Provost, and that four other persons were selected to discharge the office of bailies until the magistrates should return.
It is impossible to describe the consternation which pervaded the whole of Scotland when the intelligence of the defeat became known. In Edinburgh it was excessive. Mr. Arnot, in the history of that city, says,--
"The news of their overthrow in the field of Flodden reached Edinburgh on the day after the battle, and overwhelmed the inhabitants with grief and confusion. The streets were crowded with women seeking intelligence about their friends, clamouring and weeping. Those who officiated in absence of the magistrates proved themselves worthy of the trust. They issued a proclamation, ordering all the inhabitants to assemble in military array for defence of the city, on the tolling of the bell; and commanding, 'that all women, and especially strangers, do repair to their work, and not be seen upon the street _clamorand and cryand_; and that women of the better sort do repair to the church and offer up prayers, at the stated hours, for our Sovereign Lord and his army, and the townsmen who are with the army.'"
Indeed the council records bear ample evidence of the emergency of that occasion. Throughout the earlier pages, the word "Flowdoun" frequently occurs on the margin, in reference to various hurried orders for arming and defence; and there can be no doubt that, had the English forces attempted to follow up their victory, and attack the Scottish capital, the citizens would have resisted to the last. But it soon became apparent that the loss sustained by the English was so severe, that Surrey was in no condition to avail himself of the opportunity; and in fact, shortly afterwards, he was compelled to disband his army.
The references to the city banner, contained in the following poem, may require a word of explanation. It is a standard still held in great honour and reverence by the burghers of Edinburgh, having been presented to them by James the Third, in return for their loyal service in 1482. This banner, along with that of the Earl Marischal, still conspicuous in the Library of the Faculty of Advocates, was honourably brought back from Flodden, and certainly never could have been displayed in a more memorable field. Maitland says, with reference to this very interesting relic of antiquity,--
"As a perpetual remembrance of the loyalty and bravery of the Edinburghers on the aforesaid occasion, the King granted them a banner or standard, with a power to display the same in defence of their king, country, and their own rights. This flag is kept by the Convener of the Trades; at whose appearance therewith, it is said that not only the artificers of Edinburgh are obliged to repair to it, but all the artisans or craftsmen within Scotland are bound to follow it, and fight under the Convener of Edinburgh as aforesaid."
No event in Scottish history ever took a more lasting hold of the public mind than the "woeful fight" of Flodden; and, even now, the songs and traditions which are current on the Border recall the memory of a contest unsullied by disgrace, though terminating in disaster and defeat.
EDINBURGH AFTER FLODDEN
News of battle!--news of battle! Hark! 'tis ringing down the street: And the archways and the pavement Bear the clang of hurrying feet. News of battle? Who hath brought it? News of triumph? Who should bring Tidings from our noble army, Greetings from our gallant King? All last night we watched the beacons Blazing on the hills afar, Each one bearing, as it kindled, Message of the opened war. All night long the northern streamers Shot across the trembling sky: Fearful lights, that never beckon Save when kings or heroes die.
News of battle! Who hath brought it? All are thronging to the gate; "Warder--warder! open quickly! Man--is this a time to wait?" And the heavy gates are opened: Then a murmur long and loud, And a cry of fear and wonder Bursts from out the bending crowd. For they see in battered harness Only one hard-stricken man, And his weary steed is wounded, And his cheek is pale and wan. Spearless hangs a bloody banner In his weak and drooping hand-- God! can that be Randolph Murray, Captain of the city band?
Aytoun's 1849 volume pairs narrative poems with substantial prose headnotes, a structure that makes the editorial voice as prominent as the verse. The opening note to 'Edinburgh after Flodden' describes the battle's cause as 'fantastic ideas of chivalry entertained by James IV,' a judgment that colors the poem's elegiac tone. Similarly, the preface to 'Charles Edward at Versailles' argues that the Jacobite cause 'ought not to be deplored' because its failure 'blended Celt and Saxon into one prosperous and united people.' These framing passages reveal a Victorian unionist perspective that treats defeat as a necessary step toward national consolidation.
Prose Frames and Historical Judgment
The headnotes do more than supply context; they advance a thesis. In the note to 'Charles Edward at Versailles,' Aytown writes that the 'antiquated system of clanship' was better extinguished 'in a blaze of glory' than allowed to 'linger on, the shadow of an old tradition.' This teleological view—that the Union and the end of clanship were historically beneficial—shapes how the poems are read. The verse itself often dwells on loss and loyalty, but the prose frames insist that such losses were necessary. Readers should note the tension between the poems' sympathy for the defeated and the notes' approval of the outcome.
Battle Description and Sensory Detail
The excerpts show Aytoun's verse attending to physical particulars of combat. In 'Edinburgh after Flodden,' the prose note reports that soldiers 'pulled off their boots and shoes, and secured a firmer footing by fighting in their hose'—a detail of desperate practicality. The poem itself, though not fully excerpted, is preceded by a note that emphasizes the 'determined valour of James' and the 'ring' formation of the last defenders. These concrete images contrast with the more abstract praise of loyalty in later poems. The catalog subject 'Scotland -- History -- Poetry' is accurate, but the excerpts reveal a focus on tactical and sensory specifics rather than broad patriotic sentiment.
The Jacobite Poems as Political Elegy
The volume's Jacobite poems—'The Burial March of Dundee,' 'The Widow of Glencoe,' 'Charles Edward at Versailles'—treat the Stuart cause as a lost romance. The note to 'Charles Edward' calls the 'campaign of 1745' one that 'yields in romantic interest to none which is written in history,' and emphasizes the prince's isolation: 'ignorant of the language of the people amongst whom he was hazarding his person.' Yet Aytoun also stresses that 'the bulk of the Scottish nation' did not actively support the rising. The poems thus memorialize a cause that the prose frames declare rightly defeated. This dual perspective—elegy for the losers, approval of the outcome—is the collection's central rhetorical strategy.
Readers approaching this collection should attend to the interplay between poem and note. Aytoun's prose often supplies the historical judgment that the verse withholds, and the two genres together create a layered argument about Scottish identity. The catalog subject 'Scotland -- History -- Poetry' is apt, but the excerpts show that the history is mediated through a distinctly Victorian lens—one that mourns the fallen while endorsing the Union that replaced them.
Reading about Edinburgh after Flodden, I remembered my grandfather humming a waulking song, the grief so old it felt like weather. The doomed glory in Aytoun’s verses has that same ache. Years later, a line in Miscellany of Poetry 1919 — Themes and Context about a lost lane in the rain touched me the same way—history not as fact, but as a bruise that refuses to heal.
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