The Nuts of Knowledge: Lyrical Poems Old and New — Themes and Context
Edition facts
This digital edition of The Nuts of Knowledge: Lyrical Poems Old and New — Themes and Context is described by source-level measurements including 7,782 words, 34 min estimated reading time, and 2 detected text sections.
The text analysis averages about 26.4 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Poetry,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Produced by David Starner, Sankar Viswanathan, and the Online Distributed Proofreading Team at https://www.pgdp.net
THE NUTS OF KNOWLEDGE, LYRICAL POEMS OLD AND NEW BY A.E.
Prologue The Nuts of Knowledge Immortality The Hermit The Great Breath The Divine Vision The Burning Glass A Vision of Beauty Rest The Earth Breath Divine Visitation The Master Singer Aphrodite Illusion Babylon Alter Ego Krishna Symbolism Sung on a By-Way The Hunter The Vision of Love A Call of the Sidhe Janus The Grey Eros The Memory of Earth By the Margin of the Great Deep Three Counsellors, Desire The Place of Rest Sacrifice Reconciliation Epilogue
The Manager of the Dun Emer Press has to thank Mr. John Lane for permission to reprint ten poems from Homeward Songs By The Way, and ten from The Earth Breath.
FOR BRIAN WHEN HE IS GROWN UP THIS HANDFUL OF THE NUTS OF KNOWLEDGE I HAVE GATHERED ON THE SECRET STREAMS.
I thought, beloved, to have brought to you A gift of quietness and ease and peace, Cooling your brow as with the mystic dew Dropping from twilight trees.
Homeward I go not yet; the darkness grows; Not mine the voice to still with peace divine: From the first fount the stream of quiet flows Through other hearts than mine.
Yet of my night I give to you the stars, And of my sorrow here the sweetest gains, And out of hell, beyond its iron bars, My scorn of all its pains.
THE NUTS OF KNOWLEDGE
A cabin on the mountain side hid in a grassy nook Where door and windows open wide that friendly stars may look. The rabbit shy can patter in, the winds may enter free, Who throng around the mountain throne in living ecstasy.
And when the sun sets dimmed in eve and purple fills the air, I think the sacred Hazel Tree is dropping berries there From starry fruitage waved aloft where Connla's Well o'erflows; For sure the enchanted waters pour through every wind that blows.
I think when night towers up aloft and shakes the trembling dew How every high and lonely thought that thrills my being through Is but a ruddy berry dropped down through the purple air, And from the magic tree of life the fruit falls everywhere.
We must pass like smoke or live within the spirit's fire; For we can no more than smoke unto the flame return If our thought has changed to dream, our will unto desire, As smoke we vanish though the fire may burn.
Lights of infinite pity star the grey dusk of our days: Surely here is soul: with it we have eternal breath: In the fire of love we live, or pass by many ways, By unnumbered ways of dream to death.
Now the quietude of earth Nestles deep my heart within; Friendships new and strange have birth Since I left the city's din.
Here the tempest stays its guile, Like a big kind brother plays, Romps and pauses here awhile From its immemorial ways.
Now the silver light of dawn Slipping through the leaves that fleck My one window, hurries on, Throws its arms around my neck.
Darkness to my doorway hies, Lays her chin upon the roof, And her burning seraph eyes Now no longer keep aloof.
Here the ancient mystery Holds its hands out day by day, Takes a chair and croons with me By my cabin built of clay.
When the dusky shadow flits, By the chimney nook I see Where the old enchanter sits, Smiles, and waves, and beckons me.
Its edges foamed with amethyst and rose, Withers once more the old blue flower of day: There where the ether like a diamond glows Its petals fade away.
A shadowy tumult stirs the dusky air; Sparkle the delicate dews, the distant snows; The great deep thrills for through it everywhere The breath of beauty blows.
I saw how all the trembling ages past, Moulded to her by deep and deeper breath, Neared to the hour when Beauty breathes her last And knows herself in death.
The Nuts of Knowledge opens with a dedication to 'Brian when he is grown up' and a prologue that frames the poems as a 'handful of the nuts of knowledge' gathered from 'secret streams.' The title poem imagines a cabin where the sacred Hazel Tree drops berries from Connla's Well, linking domestic solitude to ancient Irish legend. Throughout the collection, Russell—writing under the initials A.E.—blends intimate observation of nature with a visionary, almost liturgical tone. The poems are short, often structured in quatrains, and return repeatedly to twilight, the 'Mighty Mother,' and the tension between earthly desire and spiritual rest.
Recurring Landscapes and Symbols
The poems share a consistent symbolic geography. In 'The Nuts of Knowledge,' a cabin on a mountainside opens its windows to stars and winds, while the Hazel Tree drops 'ruddy berries' from a 'magic tree of life.' 'The Hermit' describes a similar retreat where 'the silver light of dawn' slips through leaves. These settings are not merely picturesque; they function as thresholds between the human and the divine. 'The Earth Breath' and 'By the Margin of the Great Deep' evoke twilight as a moment of cosmic unity: 'I am one with the twilight's dream.' The 'Mighty Mother' appears in 'The Place of Rest' and 'Sacrifice' as a figure who 'bows at last' to human tears, suggesting a pantheistic or Celtic-inflected spirituality.
Voice and Address: The Poet as Mediator
Russell frequently uses first-person address, but the speaker is often a mediator rather than a confessional self. In the prologue, he says 'Of my night I give to you the stars, / And of my sorrow here the sweetest gains.' The poems are dedicated to a child, yet the tone is adult and mystical. 'Three Counsellors' presents three figures—a fairy, a warrior, and a wise soul—who offer conflicting advice: 'Quietness,' 'Awake, prepare for fight,' and 'be thou thyself that goal.' This dialogic structure suggests an inner debate about action versus contemplation. The speaker rarely describes personal events; instead, he channels visions: 'I think when night towers up aloft... how every high and lonely thought / Is but a ruddy berry dropped.'
Rhythm, Form, and the Catalog Subject 'Poetry'
Though cataloged under 'Poetry,' the collection is formally varied. Many poems use regular quatrains with alternating rhyme (e.g., 'Immortality': 'We must pass like smoke or live within the spirit's fire; / For we can no more than smoke unto the flame return'). Others, like 'The Great Breath,' employ longer lines and a more incantatory rhythm. The excerpts show a preference for iambic and anapestic meters, often with feminine endings. The poems are lyrical in the strict sense—short, musical, and subjective—but they also contain narrative elements, as in 'The Memory of Earth,' where a walk in the dusk triggers visions of 'thundered battle cries' and a 'hero-hearted queen.' This blend of lyric and mythic narrative aligns with the Celtic Revival's interest in blending personal emotion with national legend.
Readers approaching The Nuts of Knowledge should attend to the interplay between the poems' dedications and their content. The collection is framed as a gift to a child, yet its themes of sacrifice, desire, and cosmic unity are anything but childish. The poems reward slow reading: notice how images of twilight, dew, and the 'Mighty Mother' recur and transform across the sequence. The book is best experienced as a single, meditative arc rather than a set of isolated lyrics.
I remember sitting under the sycamore at dusk, the way these twilight poems feel like that stillness. Reading Russell’s “Mighty Mother” brought back a similar quiet ache I once found in another collection, where nature’s sacredness felt just as close and personal. That old companion, Poems — A Reader’s Guide, held the same hush between lines.
There are no reviews for this eBook.
How will you remember this book?
Save your reaction, strongest insight, and memorable passage.