The Collected Works in Verse and Prose of William Butler Yeats, Vol. 3 (of 8)

(16 User reviews)   4036
By Samuel Smirnov Posted on Apr 1, 2026
In Category - The Rare
Yeats, W. B. (William Butler), 1865-1939 Yeats, W. B. (William Butler), 1865-1939
English
Hey, if you've ever felt torn between the practical world and the world of dreams, this book gets it. This isn't just a collection of old poems and plays. It's the sound of a great writer arguing with himself. On one side, there's Yeats the public figure, trying to build a new Irish national theater with plays full of heroes and myths. On the other, there's Yeats the private mystic, writing strange, beautiful poems about magic, lost love, and getting older. Volume 3 captures him right in the middle of this fight. You can almost hear him thinking out loud: Should art serve a country, or should it chase eternal truths? The magic here is watching a genius try to answer that question, without ever really settling it. It's messy, human, and completely fascinating.
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Let's be clear: this isn't a novel with a single plot. Think of it more like a backstage pass to one of the most creative minds of the 20th century. Volume 3 of Yeats's Collected Works is a snapshot of his life and work from about 1902 to 1908. It's packed with his plays from the early days of the Abbey Theatre, like On Baile's Strand and Deirdre, alongside some of his most famous early poems.

The Story

The "story" here is the story of Yeats figuring out what kind of artist he wants to be. The book is split between two big projects. First, there's his work for the Irish Literary Revival—these are the plays and poems meant to give Ireland its own heroic stories, to stir national pride. They're full of warriors, tragic queens, and ancient legends. But right beside them, you find poems that are deeply personal. These are the ones about his long, complicated love for Maud Gonne, his frustrations, his dabbling in occult societies, and his growing fear that life's best moments are fleeting. So the central tension isn't between characters in a play; it's between the poet's public duty and his private soul.

Why You Should Read It

I love this volume because it shows a genius in progress, not a finished monument. You don't have to choose between the "nationalist Yeats" and the "mystical Yeats"—you get both, wrestling on the page. One minute he's crafting a tight, dramatic scene for the stage; the next, he's writing a hypnotic, musical poem like "The Folly of Being Comforted." It's this clash that makes him so interesting. You see the raw material that would later explode into masterpieces like "The Second Coming." Reading this feels like looking at the blueprints for a cathedral.

Final Verdict

This is perfect for anyone curious about how great art is made. It's for readers who love poetry but are intimidated by complete works—this volume is a manageable, focused slice. It's also a great pick for theater fans interested in the roots of modern drama. If you only know Yeats from a few famous poems in an anthology, this book will show you the man behind them: ambitious, conflicted, and endlessly trying to bridge the gap between this world and the next. Just be ready to think and feel a lot.



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